A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen’s discovery of X-rays in 1895, and Georges Méliès’ accidental realisation of the special-effects potential of the jump-cut in 1896.
Mary Jane tries to light the oven. When she’s unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it’s back to work. When the stove still won’t light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?